Sep 12

Olympics and Paralympics on television: a small niggle

Like everyone else, I had fun with the Olympics. I loved what I saw close-up and I watched the coverage.

Different mediums, different lessons. I learnt that womens’ basketball is more exciting than the better-known, big-money mens’ version because female players aren’t tall and strong enough to make long, lone runs to score and must play it as a passing, team game. That makes it mediocre television but a terrific live sport. I learnt that synchronised swimming, if you’re watching it live from near the roof of the Aquatic Centre, is well-nigh incomprehensible; thank heaven for underwater cameras and big screens. Like millions, I thought Clare Balding and Ian Thorpe were an inspired pairing. And I watched in the roaring stadium as Richard Whitehead won the Paralympic mens’ 200m.

But I’ve got one small, niggling reservation which won’t quite go away. The BBC is our public service broadcaster and that should include setting standards for others. On many levels, the BBC did that in the London Olympics. The weight of sporting expertise assembled to comment on everything was mighty.

But the vast majority of that commentary was about effort and emotion. The set-piece films about individual athletes, made in advance and played endlessly, were all about preparation, dedication and previous disappointment or triumph. These are all part of the story. But only part. Remarkably little of the hour upon hour of “analysis” was actually devoted to explaining what was happening and why – beyond commenting on what was visible. How do you pace a 100m hurdle race at Olympic level? How to do you measure acceleration and deceleration in rowing? How does a judge split the performances in gymnastics?

Continue reading →