21
Feb 14

David Hepworth’s blog, reasons to like

For the first time in a long while I’ve added a new line to the blogroll (scroll down on the right): one of several blogs written by David Hepworth, an experienced magazine editor and publisher.

DAVID HEPWORTH

I’ve never met Hepworth but I’ve been following his work for a long time. When I was editing the Saturday edition at The Times, the magazine Hepworth was then publishing, The Word, was the most enjoyable magazine I read in any month. It was irreverent, snappy, wise and funny. It covered movies, books, music and almost anything that babyboomers like to enjoy, watch, listen to or collect and it did so without ever implying that the readers were idiots who needed to be tricked into reading something. In short, it had a lovely, likeable editorial personality. Strictly speaking it was a music magazine, but it felt like something broader and more eclectic.

Being so good, of course The Word was a weak commercial proposition and folded. Like a fool, I never kept any copies. See here the kind of distress its closure caused.

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06
Feb 14

As online news and comment sites find their feet…editing turns out to be…useful

I wrote here recently about how “pure-play” online news and comment sites were starting to find their feet in greater numbers commercially, and, as they do so, more confidently rewriting the handbook on how journalism gets done most effectively with the tools newly available.

Nothing unusual about this: upstarts, dismissed at first as frivolous, grab large audiences and then work more serious stuff into the mix. It’s happened throughout the history of journalism so far – with the exception of the late 20th century when advertising income was secure. And it’s happening again now. (For a longer version of this argument, see Out of Print, details on the right).

But there’s one aspect of this that gets sidelined in a lot of discussion of new things. And that’s because the importance of editors is an old thing, being rediscovered yet again.

As the digital era began and its opportunities and possibilities emerged, one thing became clear. News media were going to “de-industrialise”. The dominant position held by a small number of print publishers and terrestrial broadcasters was not going to disappear but it was going to be eroded because the power to publish was being radically redistributed. Furthermore, this argument ran, individual journalists would be empowered to become independent of corporate monoliths. Journalism would not just de-industrialise but the newsrooms would no longer be the dominant unit of organisation. The important player would be the smallest atomic particle in the system: the individual journalist.

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28
Jan 14

Laboratory sites are re-inventing journalism on the run

For the past fifteen years, an argument has been reverberating in and around journalism. The digital era, argued one school of thought, is a total re-set: nothing will – or can – survive of the old news media dominated by print and terrestrial broadcast. Rubbish, argued the other school: digital journalism can’t do original reporting and when the world clocks that fraud, mainstream media will revive.

I parody the opposing positions, but not by much. The quarrel was static and often sterile. I’ve argued (here and here) that the task of journalists in the digital era is to adapt old values and ideals to new circumstances and possibilities. In other words, a lot needs to change to renew an old ideal: telling people useful truth.

This stale dispute from the past is now being rendered irrelevant by new online news businesses which have the experimental drive, technological confidence and resources to try new ways of doing things – and which have already won a sizeable audience to try them on.

Experiments small and large with everything from how long the ideal list should be to the ideal width for pictures to the right tone for longform reporting are conducted one the run, at speed and with a wealth of data about what is shared and how much. Failed experiments are dumped and forgotten. Online sites are not inhibited by caution about their reputation; they have won millions of users but not yet prestige and respect. Such sites are run as laboratories for the next news.

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27
Sep 13

Newspaper are like horses? Not quite

Jeff Bezos is showing early promise as the new owner of the Washington Post: he has a sound grasp of how to say something familiar in an arrestingly new way.

The other day, he compared printed newspapers to horses:

“I think printed newspapers on actual paper may be a luxury item. It’s sort of like, you know, people still have horses, but it’s not their primary way of commuting to the office.”

On one level, this is plainly true. As a medium for news, ink marks on squashed trees are economically inefficient, environmentally damaging and slow. Print, even for news, will not be replaced by digital. New media almost never completely substitute for older media; the newcomers shrink and shove to one side their predecessors. Just as the combustion engine became the standard way for people to get around without making horses disappear.

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23
Sep 13

Out of Print: the elevator pitch versions and reviews

You would have been hard put to be reading this blog in the past few weeks and succeded in avoiding any mention of my book Out of Print. This post is yet another encouragement to buy a copy by rounding up some of the stuff I’ve done about it and a few reviews. And the book is another instalment in my campaign to stamp out pessimism about journalism.

For easy watching, there’s a BBC interview by Nick Higham here (I fear it’s available only outside the UK). I summarised the book’s theme and argument in a blogpost here and in a piece for The Conversation UK here. There are recent pieces connected to the book’s themes on “who’s a journalist?” in the Yorkshire Post and on spaghetti-throwing (or experiments) at local level at journalism.co.uk.

There are a couple of online reviews here (Geoff Ward) and here (Roy Greenslade) and one in the News Statesman from Emily Bell of the Columbia Journalism School. Matthew Ingram of PaidContent assessed the book here. To complete the set here is one in Dutch by Bart Brouwers.

I naturally hope that these only whet your appetite to read the whole thing….

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06
Sep 13

What the comments on my views on online comments have taught me

Yesterday’s post about the rising indifference to online comments provoked replies which undermined one of my assertions: that early hopes of intelligent conversation made possible by easier digital access have evaporated in the face of the everyday experience of insult, aggression and irrelevance.

With only a handful of exceptions, the comments have been useful and to the point. A few pointed out, as I ought to have, that other have been there before me. Here’s one example from Helen Lewis of the New Statesman; in a tweet-exchange with others reacting, she said that the NS had switched its comments system to Disqus with good effect.

One thing I ought to straighten out. I was not arguing that online comments should be withdrawn or stopped. No such thing is going to occur. What I was suggesting is that the simple technique of opening comments has not delivered the results hoped for. That has two great attractions: it’s “open” in a simple, inclusive way and requires only minimal moderation to remove unacceptable material.

So I was hinting that I think this is going to evolve. This is exactly the point which Mike Masnick (of Techdirt) drove home: his site asks users to vote on comments and give prominence to those which come out on top. He sees no connection between anonymity and talking rubbish.

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05
Sep 13

Rage about anonymous online comments is building: change is coming

The other night I went to see Chimerica, Lucy Kirkwood’s fine play about a photojournalist who searches for the never-identified Chinese man and hero of an iconic picture who stood defiantly in front of a line of tanks just after the massacre in Tiananmen Square.

On the way out of the theatre, I bumped into a fellow journalist. The newsroom dialogue was witty and sharp we happily agreed. And our favourite among those bits we also agreed was the crusty American editor spitting with rage about online comments below the newspaper’s online articles.

Frank, the editor in the play, is killing the search for the “tank man” because it costs too much and because the paper now has Chinese investors. Joe, the photographer, provokes this pungent speech from Frank by telling him that as an editor he’s supposed to be a guardian of a free press. Frank, sick of change, replies:

Don’t you dare sit there and suffer at me, hell I suffer too! You think I enjoy using the word ‘multi-platform’? That I think it’s desirable to employ the best writers in the country, then stick a comments section under their articles, so whatever no-neck fucker from Arkansas can chip in his five uninformed, misspelled, hateful cents because God forbid an opinion should go unvoiced? Assholes Anonymous validating eachother in packs under my banner, that’s not a democratic press, it’s a nationwide circle-jerk for imbeciles.”

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