20
Oct 14

How to rebuild local news: a spaghetti-throwing competition!

The dolorous laments over the ruin of journalism have many variations. Many grieve for what they see as the collapse of “accountability” journalism or investigative reporting. Given the quantities of attention and philanthropic money boosting the revival of difficult, long form investigations (at least in the US), I think it hard to argue that this is the worst problem journalism faces*.

By contrast, little attention or commentary is devoted to the slide in the coverage of arts, culture and rigorous longform argument. Arts sections and their critics (at least in the UK) are being cut and squeezed; few people seem to notice.

But the collapse which make all these issues look minor is the hollowing out and implosion of local reporting, a disaster only fitfully noticed by metropolitan media persons. In the UK, between 2005 and 2010 the revenue of the four leading local newspaper companies  fell between 23% and 53%. The Media Reform Coalition calculates that out of 406 local government areas in Britain, 100 have no local daily newspaper at all and 143 have a single title with a monopoly.

I’ve taken these figures from a new report by Martin Moore for the Media Standards Trust with the clunking title “Addressing the Democratic Deficit in Local News through Positive Plurality”. Moore manages the difficult trick of laying out the crisis and proposing help which does not involve public subsidy for journalism – a solution with obvious disadvantages. (Shorter version of his argument here).

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01
Oct 14

The importance – for experiment – of not being embarrassed

catAs news media have to re-think much of what they do by experiment, popular media should be making use of one big, built-in advantage. They don’t embarrass easily.

Hidden away in this account of experiments at the Swedish mid-market tabloid Expressen is a clue. The paper’s head of mobile, Johann Hedenbro, was mostly busy talking to a MediaBriefing conference about the efforts they made to build their own version of Upworthy and how they are trying to make money from mobile users.

He makes the point that with small screens, it is more natural to split editorial material up into specialised streams. And he mentions, in passing, their “new, embarrassing site likeanimals.se”. The site is apparently so embarrassing that I can’t even find it either on my PC or phone (maybe I’m just not looking right: if you find it please tell me). Let’s assume it’s yet more pictures of cute and cuddly cats. And let’s also assume that Mr Hedenbro isn’t really embarrassed by it.

This says something about how experiment works. If you’re afraid of being laughed at for being trivial and not serious about journalism, you will limit your experiments. The quality of experiments lies partly in pushing them right out to the limits and sometimes beyond.

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27
May 14

The New York Times and innovation: are they asking the right question?

The New York Times did a kind favour to the rest of the news media when, amidst the storm provoked by the sacking of its editor Jill Abramson, we got to see a report on the paper’s lack of progress in digital journalism by a group of its younger editors.

I don’t need to describe “Innovation” further for you: it’s been capably done elsewhere (see also here). Instead, I want to ask the question which I haven’t yet seen put, perhaps because it makes people a little nauseous. Is it actually possible for a big, mainstream newspaper to make the transition to being, principally, a digital platform for journalism? Not just make the transition slowly, painfully and with embarrassing mistakes but…not make it at all.

I’m by nature an optimist and I recently I wrote a book which, among other themes, looks at the regularity with which journalism re-invents itself when disrupted. But having read the 96 pages of the NYT document, even my faith in the future was dented.

As many other readers have said, it is a brutally frank self-examination. But for all the bravery involved, a number of questions just aren’t there. With all the fervour of tribesmen waving a talisman to ward off evil spirits, the authors repeatedly praise the outstanding quality of the NYT’s journalism. A touch smug, an outsider might think, but hardly controversial.

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29
Apr 14

An incomplete list of things which are going to shape the next journalism

People who ponder journalism’s prospects have turned cheerful. Not suddenly, but over the past few months. The evidence that there’s capital, generative energy and signs that some digital publishing can survive is too obvious to ignore. So the shift has been from pessimism to futurology.

What kind of journalism are we going to see or should we want to see? “Open”, “networked”, radical, non-capitalist or done in looser structures than in the past? Because we’re in a phase of accelerating, plural experiment, what will happen will be all of these things and more.

Just pause for a second to appreciate what a change in the conversation the hi-tech millionaires, philanthropists and venture capitalists have brought about, at least in the US, by demonstrating that they want to be involved in building the next journalism. The emphasis is now more about the content than about the delivery and the platforms. As a writer of the pre-digital age put it, we’re watching “the turning of a stream of fresh and free thought upon our stock notions and habits.” This is nowadays known as “disruption”.

Here’s a meandering list of seven factors which will shape the next journalism. I’ll be talking about this at the International Journalism Festival in Perugia later this week. (And there’s more on the background to all this in Out of Print, see right).

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07
Apr 14

One easy, transparent way of making accuracy visible: open sourcing

This blog has occasionally murmured that serious news media with an interest in being trusted had one simple way of demonstrating their reliability with the facts. And that way was offered by the digital technology which is so menacing to the livelihoods of newsrooms rooted in the print era.

I’ve argued that the building of trust would be strengthened by footnotes: links in the text which take the reader to the full version or to the source material. Digital content operates in three dimensions: the two dimensions you see on the screen of a phone, tablet or PC and the third dimension which you can access via an embedded link.

I wasn’t alone in pointing out this neglected opportunity, but I was surprised by how little traction the idea – which still seems a no-brainer to me – actually had. I had the chance to explain it recently to the editor of A Very Serious Newspaper whose journalists, I said, could demonstrate their superior reliability by this simple change. It was clear the the editor in question had little idea what I was talking about.

I think part of the problem is the word “footnotes”. So this small campaign is here being officially rebranded. “Footnotes” remind people of tiny text at the foot of the page on dusty pages in silent libraries. Henceforward this is the drive for “open sourcing”.

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21
Feb 14

David Hepworth’s blog, reasons to like

For the first time in a long while I’ve added a new line to the blogroll (scroll down on the right): one of several blogs written by David Hepworth, an experienced magazine editor and publisher.

DAVID HEPWORTH

I’ve never met Hepworth but I’ve been following his work for a long time. When I was editing the Saturday edition at The Times, the magazine Hepworth was then publishing, The Word, was the most enjoyable magazine I read in any month. It was irreverent, snappy, wise and funny. It covered movies, books, music and almost anything that babyboomers like to enjoy, watch, listen to or collect and it did so without ever implying that the readers were idiots who needed to be tricked into reading something. In short, it had a lovely, likeable editorial personality. Strictly speaking it was a music magazine, but it felt like something broader and more eclectic.

Being so good, of course The Word was a weak commercial proposition and folded. Like a fool, I never kept any copies. See here the kind of distress its closure caused.

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06
Feb 14

As online news and comment sites find their feet…editing turns out to be…useful

I wrote here recently about how “pure-play” online news and comment sites were starting to find their feet in greater numbers commercially, and, as they do so, more confidently rewriting the handbook on how journalism gets done most effectively with the tools newly available.

Nothing unusual about this: upstarts, dismissed at first as frivolous, grab large audiences and then work more serious stuff into the mix. It’s happened throughout the history of journalism so far – with the exception of the late 20th century when advertising income was secure. And it’s happening again now. (For a longer version of this argument, see Out of Print, details on the right).

But there’s one aspect of this that gets sidelined in a lot of discussion of new things. And that’s because the importance of editors is an old thing, being rediscovered yet again.

As the digital era began and its opportunities and possibilities emerged, one thing became clear. News media were going to “de-industrialise”. The dominant position held by a small number of print publishers and terrestrial broadcasters was not going to disappear but it was going to be eroded because the power to publish was being radically redistributed. Furthermore, this argument ran, individual journalists would be empowered to become independent of corporate monoliths. Journalism would not just de-industrialise but the newsrooms would no longer be the dominant unit of organisation. The important player would be the smallest atomic particle in the system: the individual journalist.

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20
Jan 14

This blog: a quick instruction manual

Since this blog is resuming after a break, here’s a fast guide on how not only to find stuff in it but also related things about journalism that I’ve written or clipped.

Fast wheel

All the posts on this blog get tweeted from @georgeprof and linked on a static Facebook page. For me, Twitter is about link-sharing and I pass on and retweet links about journalism, media and, occasionally, daft fragments which catch my fancy. The most active piece of this blog is “What George is reading” (right-hand column) because that’s linked to what I clip in Delicious. Delicious has a chequered history and upsets its users on a regular basis; but how anyone writes a book today without it or its near equivalent I don’t know. Very few days go by without something new popping up in that slot. On a normal day there will be several new links.

Slow wheel

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