25
Jan 18

Dear news publishers: how to sift signals from noise about Facebook

Facebook’s two announcements about its ‘news feed’ – that it would make news a lower priority and let users determine quality rankings – triggered an extraordinary explosion of self-pity on the part of the news media. Given Facebook’s reach (2bn users) and the quantity of advertising it has removed from established media, that’s hardly surprising. But much of this indignation is short-sighted. Some advice to newsrooms and those who run them.

  1. Don’t say you weren’t warned. Facebook never guaranteed – as far as I’m aware – any particular income stream to any publisher or that they would not switch their policy and algorithms. As ‘Instant Articles’ came on the scene plenty of wise voices said to publishers: ‘By all means experiment with this, but don’t rely on it. Ever.’ Don’t pretend you didn’t hear this.
  2. But unpredictability is now Facebook’s greatest threat to news media. Instead of trying to blackmail Facebook into returning money you think should be going to you, try something more likely to work. If Facebook wants to make nice to news (and at least part of the company seems to want to), get them to understand early warning of decisions which will affect news publishers’ revenue would be wise.
  3. Beware of striking private deals with platforms. Wider and deeper transparency requirements for platforms (almost certainly enforced by legislation) is the key to making sense and improving the slew of issues around misinformation, election manipulation and other dark arts to which Facebook has lent itself, both willingly and unknowingly. The relationship between a citizen and her/his devices will be central of twenty-first century democracies. How we know what we know (and can trust) is an issue which goes wider than the business agonies of news media. Facebook is first and foremost a gigantic advertising machine but is also now a society machine. Or a politics machine if you prefer. Politics is about how power is allocated in a society. The devices we use to connect and to collect data play an ever-larger large role in that distribution of power. And on the subject of power: try to help Mark Zuckerberg talk about Facebook’s power. The word never comes up in his bland ramblings about ‘community’ and ‘connection’.
  4. Forget any idea that platforms can be forced to pay to prop up mainstream media. Rupert Murdoch took advantage this week of the Facebook fuss to suggest that online platforms should pay news publishers for their content in the same way that cable TV companies pay programme-makers for rights to air their work. Murdoch should send whoever drafted that statement to run something obscure in Tasmania: the parallel is nonsense. Cable companies have nothing to sell to consumers until they have content. Social networks sell advertising space by leveraging network effects between friends. They have no need of news. Given that news has never been more than a low single percentage of Facebook’s total activity and that it set light to a firestorms of controversy, I can easily imagine its executives arguing that they should leave it alone for good.
  5. But that’s not possible. Facebook can’t now avoid being entangled with news. So people in Menlo Park who dream of a news-free network will be disappointed. For now, the network is simply too big and too widely used to sidestep the dilemmas which come with news and all the strong tensions and emotions it provokes. Facebook is part of the infrastructure of free speech. Period.
  6. Let’s bury the phrase ‘fake news’. As an example, British government spokesmen made two announcements this week of initiatives to ‘combat’ (as headline writers like to say) fake news. One change was actually new machinery about detecting misinformation spread by states, a quite different thing. Even making allowance for the fact that the current (Conservative) government is in slow-motion and terminal decline, it is clear that the announcement-makers have no idea what they’re talking about. Quite apart from the problems of defining the news the government doesn’t like because it is ‘fake’, this sort of knee-jerk is liable to reverse long traditions of protecting free speech. A professor of artificial intelligence who goes by the splendid name of Yorick Wilks nailed it: “Someone in Whitehall has lost all sense of what a free society is about if they think government should interfere in determining what is true and false online.” One simple test for evaluating policies about misinformation: is it an exact remedy for a specific harm?
  7. Everyone – journalists and publishers included – has a duty to help Facebook through the philosophical, political and moral issues it has landed in. Treating the platforms as if they are merely technical means of transmission open to exploitation by bad actors is exactly what Facebook, Google and Twitter have begun (at differing speeds) to acknowledge that they are not. Beating up Facebook and gloating over its difficulties is not going to make it go away. These questions of colliding rights (e.g. free expression vs privacy vs right to know) have been giving editors and lawmakers migraines for centuries. Similar countries – across Europe for example – take radically different approaches based on history, culture and experience. Example: the contrasting approach to privacy rights in Spain or France with Scandinavia.
  8. Keep repeating: news isn’t nice. Facebook’s hard problem is the tension between its business model and the public interest value of news. The business model relies on interaction between users and time spent on the network (which Mark Zuckerberg now wants to be ‘time well spent’). That gives priority to emotion and ‘shareability’. Indignation and outrage go viral easily. News published and distributed in the public interest may appeal more to reason than to emotion. It may be unpleasant, complicated. Worse still (from Facebook’s point of view) news may be best conveyed by people who know more than other people, thus undermining any idea that everyone in a social network knows as much as everyone else. News may even insist that you learn what you may not want to know. None of this aligns easily with ‘community’ or ‘connection’, which are so central to Facebook. Tough problem, but not insoluble.
  9. Two things you can repeat to Facebook as often as you like: be transparent and take advice. The network is doing all sorts of research (psychological affects of social media, manipulation risks etc); they share frustratingly little detail. It astounds me that neither Facebook nor Twitter has ever set up advice groups of independent experts to advise them on hard public interest problems. (Google has done so, to good effect). Even better, try to persuade Facebook to combine the transparency and the advice. Allow experts and scholars outside the company to be involved in the research and allow them to talk and write about it. If these questions are really Facebook’s tests for quality of news, they need help to strengthen them. (Powerful academic version of this case from the Dutch scholar Natali Helberger here).
  10. Lastly, stop treating the future of news media as if it’s a zero-sum between journalism on the one hand and platforms on the other. The public don’t see the distinction that clearly (although mainstream media are more trusted). What everyone – users, platforms, news media – has to worry about is how to tell what is reliable from what is not, to verify and authenticate. New problems like the easier faking of video arise all the time. Solving that kind of stuff will take cooperation.

 

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16
Mar 15

Little rays of sunshine…journalism in Spain and voting registration

As an antidote to grim March weather, here are two stories to lighten gloom. Struggling to keep up with new media, older people burble that digital social networks carry nothing but trolls and trivia. Many (older) journalists remain sternly pessimistic that their work can survive its bumpy transition to new technologies whose users seem so little interested in serious news and opinion.

At a supper last week organised by Tech City Insider, I had the good luck to sit next to a bearded, energetic man called Michael Sani. He began life as an actor and teacher and founded one of the campaigns trying to improve the falling voter registration rate among young people.

The campaign is called Bite the Ballot and early this year it organised a week-long registration drive. There wasn’t much choice that promoting the apparently-boring cause of registering to vote had to be done on social networks. Besides being the natural online conversation of the 18-24 age group that Sani and his volunteers were aiming at, getting people to relay your message by making it go viral is cheap. Which was good because bitetheballot didn’t have much money.

Long story short: 441,000 new voters were registered in that week. That set a world record for the numbers of voters (as a proportion of the potential electorate) put on the list in a week, outstripping America’s Rock the Vote drive in 2004. New voters registering had a 72% completion rate doing the 5-page form, which might also be a record. The campaign projected pictures onto Big Ben, went to community centres, worked Facebook, Twitter, Snapchat…and spent a grand total of £200.

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20
Oct 14

How to rebuild local news: a spaghetti-throwing competition!

The dolorous laments over the ruin of journalism have many variations. Many grieve for what they see as the collapse of “accountability” journalism or investigative reporting. Given the quantities of attention and philanthropic money boosting the revival of difficult, long form investigations (at least in the US), I think it hard to argue that this is the worst problem journalism faces*.

By contrast, little attention or commentary is devoted to the slide in the coverage of arts, culture and rigorous longform argument. Arts sections and their critics (at least in the UK) are being cut and squeezed; few people seem to notice.

But the collapse which make all these issues look minor is the hollowing out and implosion of local reporting, a disaster only fitfully noticed by metropolitan media persons. In the UK, between 2005 and 2010 the revenue of the four leading local newspaper companies  fell between 23% and 53%. The Media Reform Coalition calculates that out of 406 local government areas in Britain, 100 have no local daily newspaper at all and 143 have a single title with a monopoly.

I’ve taken these figures from a new report by Martin Moore for the Media Standards Trust with the clunking title “Addressing the Democratic Deficit in Local News through Positive Plurality”. Moore manages the difficult trick of laying out the crisis and proposing help which does not involve public subsidy for journalism – a solution with obvious disadvantages. (Shorter version of his argument here).

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01
Oct 14

The importance – for experiment – of not being embarrassed

catAs news media have to re-think much of what they do by experiment, popular media should be making use of one big, built-in advantage. They don’t embarrass easily.

Hidden away in this account of experiments at the Swedish mid-market tabloid Expressen is a clue. The paper’s head of mobile, Johann Hedenbro, was mostly busy talking to a MediaBriefing conference about the efforts they made to build their own version of Upworthy and how they are trying to make money from mobile users.

He makes the point that with small screens, it is more natural to split editorial material up into specialised streams. And he mentions, in passing, their “new, embarrassing site likeanimals.se”. The site is apparently so embarrassing that I can’t even find it either on my PC or phone (maybe I’m just not looking right: if you find it please tell me). Let’s assume it’s yet more pictures of cute and cuddly cats. And let’s also assume that Mr Hedenbro isn’t really embarrassed by it.

This says something about how experiment works. If you’re afraid of being laughed at for being trivial and not serious about journalism, you will limit your experiments. The quality of experiments lies partly in pushing them right out to the limits and sometimes beyond.

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27
May 14

The New York Times and innovation: are they asking the right question?

The New York Times did a kind favour to the rest of the news media when, amidst the storm provoked by the sacking of its editor Jill Abramson, we got to see a report on the paper’s lack of progress in digital journalism by a group of its younger editors.

I don’t need to describe “Innovation” further for you: it’s been capably done elsewhere (see also here). Instead, I want to ask the question which I haven’t yet seen put, perhaps because it makes people a little nauseous. Is it actually possible for a big, mainstream newspaper to make the transition to being, principally, a digital platform for journalism? Not just make the transition slowly, painfully and with embarrassing mistakes but…not make it at all.

I’m by nature an optimist and I recently I wrote a book which, among other themes, looks at the regularity with which journalism re-invents itself when disrupted. But having read the 96 pages of the NYT document, even my faith in the future was dented.

As many other readers have said, it is a brutally frank self-examination. But for all the bravery involved, a number of questions just aren’t there. With all the fervour of tribesmen waving a talisman to ward off evil spirits, the authors repeatedly praise the outstanding quality of the NYT’s journalism. A touch smug, an outsider might think, but hardly controversial.

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21
Feb 14

David Hepworth’s blog, reasons to like

For the first time in a long while I’ve added a new line to the blogroll (scroll down on the right): one of several blogs written by David Hepworth, an experienced magazine editor and publisher.

DAVID HEPWORTH

I’ve never met Hepworth but I’ve been following his work for a long time. When I was editing the Saturday edition at The Times, the magazine Hepworth was then publishing, The Word, was the most enjoyable magazine I read in any month. It was irreverent, snappy, wise and funny. It covered movies, books, music and almost anything that babyboomers like to enjoy, watch, listen to or collect and it did so without ever implying that the readers were idiots who needed to be tricked into reading something. In short, it had a lovely, likeable editorial personality. Strictly speaking it was a music magazine, but it felt like something broader and more eclectic.

Being so good, of course The Word was a weak commercial proposition and folded. Like a fool, I never kept any copies. See here the kind of distress its closure caused.

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06
Feb 14

As online news and comment sites find their feet…editing turns out to be…useful

I wrote here recently about how “pure-play” online news and comment sites were starting to find their feet in greater numbers commercially, and, as they do so, more confidently rewriting the handbook on how journalism gets done most effectively with the tools newly available.

Nothing unusual about this: upstarts, dismissed at first as frivolous, grab large audiences and then work more serious stuff into the mix. It’s happened throughout the history of journalism so far – with the exception of the late 20th century when advertising income was secure. And it’s happening again now. (For a longer version of this argument, see Out of Print, details on the right).

But there’s one aspect of this that gets sidelined in a lot of discussion of new things. And that’s because the importance of editors is an old thing, being rediscovered yet again.

As the digital era began and its opportunities and possibilities emerged, one thing became clear. News media were going to “de-industrialise”. The dominant position held by a small number of print publishers and terrestrial broadcasters was not going to disappear but it was going to be eroded because the power to publish was being radically redistributed. Furthermore, this argument ran, individual journalists would be empowered to become independent of corporate monoliths. Journalism would not just de-industrialise but the newsrooms would no longer be the dominant unit of organisation. The important player would be the smallest atomic particle in the system: the individual journalist.

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28
Jan 14

Laboratory sites are re-inventing journalism on the run

For the past fifteen years, an argument has been reverberating in and around journalism. The digital era, argued one school of thought, is a total re-set: nothing will – or can – survive of the old news media dominated by print and terrestrial broadcast. Rubbish, argued the other school: digital journalism can’t do original reporting and when the world clocks that fraud, mainstream media will revive.

I parody the opposing positions, but not by much. The quarrel was static and often sterile. I’ve argued (here and here) that the task of journalists in the digital era is to adapt old values and ideals to new circumstances and possibilities. In other words, a lot needs to change to renew an old ideal: telling people useful truth.

This stale dispute from the past is now being rendered irrelevant by new online news businesses which have the experimental drive, technological confidence and resources to try new ways of doing things – and which have already won a sizeable audience to try them on.

Experiments small and large with everything from how long the ideal list should be to the ideal width for pictures to the right tone for longform reporting are conducted one the run, at speed and with a wealth of data about what is shared and how much. Failed experiments are dumped and forgotten. Online sites are not inhibited by caution about their reputation; they have won millions of users but not yet prestige and respect. Such sites are run as laboratories for the next news.

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